Wonderful piece, but the author is wrong about one point.
The idea that Piano rolls predate all other programmable storage medium is factually incorrect. Surely the Jacquard loom and its punch-card system, patented in 1801, pre-date the piano rolls of the 1900's?
Other than that, a great piece, but I would be remiss if I missed a chance to remind people of how amazing (and early) the Jacquard loom must've been at the time.
Carillons (http://en.m.wikipedia.org/wiki/Carillon) had control drums ('speeltrommel' is the better search term) in the sixteenth century (oldest one I could find is from 'before 1542') that allowed one to program in a melody to play. Example of programming at http://youtu.be/kHuvTKxZwr0
Well, there's a reported cylinder-based musical automaton in the 850 CE "Book of Ingenious Devices": http://en.wikipedia.org/wiki/Book_of_Ingenious_Devices
So it looks like mechanical musical instruments may have been the earliest to use storage media, even if not exactly piano rolls.
Good point. I probably could have done more research on that. The little that I DID do placed the piano roll at late 1800s. I'm not a historian. ;) I absolutely find all these ancient systems remarkable.
I think programmable medium must handle conditions. Anyway ancient water clock, antikythera, or even Stonehenge could classify as 'programmable storage medium'.
I also found some very hard and crusty pieces of cotton wedged between a few of the hammers that didn’t look like they were supposed to go anywhere and were blocking some of the parts
Those were the dampers, without them the sound will be "harder" and more percussive:
With such a big LCD I think it would be a fun addition to embed a PC inside it, with the keyboard of the piano acting as its... keyboard. After all, the original PC/AT keyboard only had 84 keys.
That's interesting. I'll look into adding fresh ones back in, but the existing ones were definitely getting in the way of the action, probably because of age. I'm not sure what the sound is like without them, but the whole system still sounds pretty good.
Oh also, there is a Mac Mini controlling the display. The next phase of the project is to install key scanning hardware that would detect key presses. So it COULD in theory act as a regular keyboard as well. The music would be pretty random though, but interesting.
I really enjoyed and liked the going down the rabbit hole aspect. And the confidence that at every step, even as they got more fractal, there would be a solution.
As someone who has taken a woodworking class or two, I love the ethos of how sometimes experienced wood workers tell the beginners to just throw in a shim [1]. I know that some wood workers would blanch at that - but art is about compromises.
I wonder out loud how we can start getting underserved kids to learn how to make more physical stuff with digital help (CAD drawings).
Thanks for that - I've never seen that book before but it looks incredibly thorough and comprehensive.
Another book on the subject is Arthur Reblitz's classic "Piano Servicing, Tuning, and Rebuilding: For the Professional, the Student, and the Hobbyist" which I do own and highly recommend.
My tuner recommended Inside Out to me after he saw I bought Reblitz. Apparently Reblitz is pretty out of date as far as tuning methodology goes? Can't really speak to it myself as I now own both and have read neither due to that particular hobby getting backburnered for a bit.
Bravo! It's so fun and... whatever that word is that is a mix between inspiring and intimidating... to see journals of projects like these where so many different interests and passions come together. I loved the visualization exploration, too - aside from the lines, most of them didn't really communicate anything to me but I was surprised at how well the circles one worked.
The small clips I recorded don't really convey the connection as well as when you're standing right in front of it. You see the connection between the keypress and the visualizer much better when it all works as one.
Fantastic! I love your integrating the display into the whole experience. Its really surprising how nice the tuned piano sounded. Your tuner worked some real magic there.
Wonderful article. I've played piano all my life, except for the first 6 and a bunch of layoff years, and other instruments (woodwinds, strings, percussion, mostly). I understand the others and tune them myself to the extent i can, but pianos are a mystery.
I have to be that guy and remind people that are inspired by this to truck a piano home, that hantaviruses are a thing, sometimes a fatal thing, and mouse droppings are biohazards.
Since the original player piano mechanism doesn't support force there was no need to incorporate it into my design. Many of the original QRS piano roll scans don't even have that information. Although with further work and a switch out of the solenoid to a pressure control valvle I might be able to control the pressure of the key stroke.
I've seen the same shiny-eyed ethos in piano builders as I have in computer makers. There's something very aesthetic about both sciences, which makes them so valuable - at a spiritual level - to us all. Piano's will never feed you, nor computers - but both can be used to motivate our fellow man into the effort, and thats all that matters I suppose.
The idea that Piano rolls predate all other programmable storage medium is factually incorrect. Surely the Jacquard loom and its punch-card system, patented in 1801, pre-date the piano rolls of the 1900's?
Other than that, a great piece, but I would be remiss if I missed a chance to remind people of how amazing (and early) the Jacquard loom must've been at the time.